Just a quick mention of the Eat the Sky, Drink the Ocean launch which took place at Eltham High School yesterday afternoon, in truly Indian weather.
Stupidly I didn't think to take any photos (it's a bit awkward when you're one of the speakers!) but it was a wonderful event, chaired by Kirsty Murray, and featuring a plethora of speakers, including a representative from the Indian consulate, who selflessly sacrificed going to the India/South Africa World Cup cricket match at the MCG to be there. I also got to meet Mandy Ord, and hang out with Penni Russon and Nicki Greenberg, and hear their take on the experience of being Sky-Eaters and Ocean-Drinkers. I am continually fascinated by the range of collaborations this project has involved! and afterwards we got to gorge on samosas, curry puffs and lamingtons - a delicious combination.
Also you can hear Kirsty and Anita Roy discussing the book on Radio National here.
Thanks to everyone who was able to attend!
This is a gorgeous, old-fashioned magic story, in which two sisters stumble into the secret world inside the lilac hedge that rings their home, and become entangled with dark magic and charming creatures of fey. I particularly enjoyed the rivalry between the sisters, which is very realistic -- as well as their deep down love and loyalty to each other. This had echoes of Enid Blyton's magical stories, though it is a bit darker than most of Blyton, and I was also reminded of the atmosphere of the Elizabeth Goudge novels I adored as a child (maybe Jen read them too??)
Special kudos to Lucia Masciullo's illustrations, which are delicate and beautiful, and suit the story perfectly. A lovely package which would appeal to young girls who like fairies and princesses, and deserve better fare than those bloody awful Rainbow Fairy books.
I had mixed feelings about this one. I must admit my heart sank a little when I realised the author was a white woman, writing from the perspective of, and literally in the voices of, Black women of 1960s Mississippi. This is tricky territory, as I am all too aware, having faced similar choices about authorial voice while writing Crow Country. Apparently Stockett faced a law suit from her brother's nanny, Ablene, who feels her story has been appropriated.
On the other hand, it's a very juicy, sympathetic, readable novel which (together with the movie made from it) has no doubt led a lot of people to think about history, and racism, and civil rights, when they might not otherwise have done so. Certainly ED, at 13, started asking questions about American race relations, the history of slavery and the struggle for civil rights, as a result of reading this. (Listening to To Kill A Mockingbird recently might have contributed, too.) So I have to say, on balance, that's a good thing.
ED wants me to buy a copy, so she can keep it on her shelf, as the first adult novel she has read independently. And I think I will.
EAT THE SKY,DRINK THE OCEAN, is a unique collection of sci-fi and fantasy writing, including six graphic stories, showcasing twenty stellar writers and artists from India and Australia:
Isobelle Carmody, Penni Russon, Justine Larbalestier, Margo Lanagan, Lily Mae Martin, Manjula Padmanabhan, Kate Constable, Priya Kurian, Mandy Ord, Kirsty Murray, Nicki Greenberg transport you into dystopian cities and other worldly societies with stylish stories, poems, playscripts, fractured fairy tales and futuristic TV cooking shows.
"The tapestry of Eat The Sky, Drink The Ocean weaves in issues of food security, environmental destruction, class barriers, social justice and human rights to create lustrous narratives….
this anthology stands out for plucky writing and bold imagery"
Co-editor Kirsty Murray, author of over twenty books and anthologies including India Dark, The Four Seasons of Lucy McKenzie and the Year It All Ended, will chair an audio visual presentation by a selection of contributing authors and graphic artists
UNMISSABLE for avid readers 14 plus looking for the next best sci-fi, fantasy read.
Date: Sunday Feb 22nd
Time: 4.00pm for 4.30pm-6.00pm
Venue: Eltham High School, Withers Way, Eltham
Cost: $20 includes a signed copy of the book or a $15 gift voucher, authors' presentations and Aussie Indian treats.
Prepaid, early bookings are essential: 94398700
I was a very sheltered teenager, and if I'd found myself in Friday's shoes, I can't imagine that I would ever have turned my back on the shelter of a concerned grandfather and taken to the streets. But hey, if everyone was like me, there'd be no stories (well, not stories like this). I always find this kind of gritty YA uncomfortable to read. But then, I guess that's the whole point of it.
Well, it hasn't aged as well as Pastures, despite being published only a year later. Pastures is set on the Queensland coast, but Beat is completely urban. It's set in Melbourne in the mid-60s, published in the year I was born, in fact. This aspect was absolutely fascinating -- the story swirls around the axis of Johnston St, from the students of the university at one end to the Convent and the river at the other, and there's lots of nostalgia for a Melbourne resident: Allans Music Store, Abbotsford and Fitzroy's 'hugger-mugger of factories, tenements, migrant hostels, and almost brand-new slums', Whelan the Wrecker, Russell St police headquarters.
But it's very self-conscious about examining the 'with-it', 'way out' yoof with their dead, empty eyes, pursuing the dead, empty pleasures of 'canned' rock music and dancing; redemption is found when the characters are exposed to the delights of 'real' folk music! I must say I was drawn deeper into the story the longer I persisted, and I ended up enjoying it, though it was a bit of a struggle at the start. The illustrations didn't help, I felt they were quite unsympathetic, almost cartoonish, and I found them alienating.
I only discovered this morning that there was a TV miniseries made from the book, in 1975! Now that would be interesting to see!